Pluto Press: Culture and Media Studies
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Such, Such Were the Joys |
George Orwell, Adapted by Sean Michael Wilson, Illustrated by Jaime Huxtable |
2021 |
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In and Against the State |
London Edinburgh Weekend Return Group, Edited by Seth Wheeler, Foreword by John Holloway |
2021 |
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Civilizing Money |
George Caffentzis, Foreword by Peter Linebaugh |
2021 |
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Cities in the Anthropocene |
Ihnji Jon |
2021 |
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Clipped Coins, Abused Words, and Civil Government |
George Caffentzis, Foreword by Harry Cleaver |
2021 |
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The Other Windrush |
Edited by Maria del Pilar Kaladeen and David Dabydeen |
2021 |
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Left Populism in Europe |
Marina Prentoulis |
2021 |
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Postcapitalist Futures |
Edited by Adam Fishwick and Nicholas Kiersey |
2021 |
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Transgender Marxism |
Edited by Jules Joanne Gleeson and Elle O'Rourke, Foreword by Jordy Rosenberg |
2021 |
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Dark Academia |
Peter Fleming |
2021 |
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Capitalism's Conscience |
Edited by Des Freedman |
2021 |
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A Feminist Reading of Debt |
Lucí Cavallero and Verónica Gago. Translated by Liz Mason-Deese |
2021 |
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The Universal Journalist |
David Randall with Jemma Crew |
2021 |
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Augmented Exploitation |
Editd by Phoebe Moore and Jamie Woodcock |
2021 |
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Kurdish Women's Stories |
Edited by Houzan Mahmoud |
2021 |
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The Brutish Museums |
Dan Hicks |
2020 |
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St. Pauli |
Carles Vinas and Natxo Parra. Foreword by Deniz Naki. Translated by Luke Stobart |
2020 |
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Dying for an iPhone |
Jenny Chan, Mark Selden and Pun Ngai |
2020 |
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Revenge Capitalism |
Max Haiven |
2020 |
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A People's History of Tennis |
David Berry |
2020 |
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Russia and the Media |
Greg McLaughlin |
2020 |
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The Situationist International |
Edited by Alastair Hemmens and Gabriel Zacarias |
2020 |
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Feminism, Interrupted |
Lola Olufemi |
2020 |
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Can't Pay, Won't Pay |
Simon Hannah |
2020 |
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Keenie Meenie |
Phil Miller |
2020 |
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